How do we become who we are? In an investigation of identification and intimacy, BALLAST intertwines the story of two relationships between trans and cisgender partners as they grapple with the stranger they find across the dinner table and in the mirror. This cutting-edge new play skydives into personal identity, navigating intricate dreamscapes to explore how gender shapes our spirituality, desires and destiny. This performance is approximately two hours with one intermission. If you already have a subscription and would like to select your performance, please log-in.
May 4th – June 4th, 2017
Written by Georgette Kelly
Directed by Matt M. Morrow
Liz Armstrong, Anna Curren, Bob Meinzer, Allison Rossett & Sue Reynolds, and Scott Williford & Grant Reeder.
BALLAST is generously supported by
How do we become who we are? In an investigation of identification and intimacy, BALLAST intertwines the story of two relationships between trans and cisgender partners as they grapple with the stranger they find across the dinner table and in the mirror. This cutting-edge new play skydives into personal identity, navigating intricate dreamscapes to explore how gender shapes our spirituality, desires and destiny.
This performance is approximately two hours with one intermission.
If you already have a subscription and would like to select your performance, please log-in.
Georgette Kelly is a playwright with one foot in New York and the other in Chicago. Her play Ballast was featured on The Kilroys List 2015 and was chosen as a finalist in the 2015 Alliance/Kendeda National Graduate Playwriting Competition. Georgette’s other plays include: I Carry Your Heart, Faith in a Fallen World, In the Belly of the Whale, how to hero or the subway play, and an adaptation of Jeanette Winterson’s Lighthousekeeping. Her work has been developed by The Kennedy Center, The National New Play Network, The DC Source Festival, The Alliance Theatre, terraNOVA Collective, Taffety Punk, Diversionary Theatre, Capital Stage, TOSOS, Prologue Theatre, New Leaf Theatre, and Chicago’s DCASE. She is a 2016 Lambda Literary Fellow and a member of 2014-2015 TerraNOVA Groundbreakers Playwrights Group, The Dramatists Guild of America, and Writers WorkSpace. Georgette holds a B.A. in Performance Studies from Northwestern University and an M.F.A. in Playwriting from Hunter College, where she studied with Tina Howe, Arthur Kopit, and Mark Bly. GeorgetteKelly.com.
Maxton is honored to be making his Diversionary Theatre debut with Ballast. Previous credits include: the national tours of Cathy Rigby is Peter Pan and Rudolph the Red-Nosed Reindeer (McCoy Rigby Entertainment); The 25th Annual Putnam County Spelling Bee, Peter Pan (3-D Theatricals); Red Car Trolley News Boys, Disney Jr. Live on Stage! (Disney California Adventure).
Dana Case (Ensemble)
Dana is an actress, composer and lyricist, orchestrator and a transgender activist. Favorite acting credits: Untitled (Sony/RCA Visual Album, dir. Natalie Rae Robison), The Vagina Monologues (Mini-Tour) and The Highs and Down Lows (Patti). Favorite writing credits: Encore (Comédie Nation, Paris), Fifth Republic (NYMF 2010 under the title Les Enfants de Paris), and MADAME (NYMF 2011). Favorite arranging credits include Well-Strung, Joanna Gleason In Bloom, Broken Bride, and BCEFA Gypsy of the Year.
Jennifer is excited and so grateful to be debuting at Diversionary Theatre with Ballast! Recent Stage Credits: Into the Beautiful North, Manifest Destinitis, and Rapture, Blister, Burn (San Diego Repertory Theatre); Perfect Arrangement (Intrepid Theatre); Seven Spots on the Sun (InnerMission Productions); Lydia (Ion Theatre); El Huracán (DNA New Work Series, La Jolla Playhouse); OjO: The Next Generation In Travel (WoW Festival, La Jolla Playhouse); September and Her Sisters (Scripps Ranch Theatre); Blamed: An Established Fiction (winner of Best Dramatic Production at SD Fringe); BASH/SLAM JAM (Lambs Players Theatre); The Nutcracker (New Village Arts); The Shape of Things (USD). Jennifer received her B.A. in Theatre Arts at University of San Diego. For more information, please visit jenniferparedes.netSkyler Sullivan* (Ensemble)
Skyler is grateful to be returning to Diversionary Theatre with Ballast. Previously for Diversionary: A Civil War Christmas and The Big Gay Improv Show; New Village Arts: Emilie. NYC credits include Largo desolato, and The Vibrator Play. Regional: Strata, and Midnight Radio (Bricolage, Pittsburgh); TV: Sesame Street and The Electric Company (PBS); In addition, Skyler is a hospital clown with Healthy Humor, and will be in residence this summer at Paul Newman’s Hole in the Wall Gang Camp for sick kids. MFA Brooklyn College.
Jacque is thrilled to be back on the Diversionary stage! Diversionary Theatre: The Divine Sister, The Further Adventures of Hedda Gabler, Scrooge in Rouge, Next Fall, Fair Use, The New Century, Anita Bryant Died for your Sins; Cygnet Theatre: Stupid F*cking Bird, The Importance of Being Earnest, Travesties, and Mistakes Were Made; San Diego Repertory Theater: Honky (Craig Noel Award); La Jolla Playhouse: Yoke, The Car Plays; Intrepid Theater: The Winter’s Tale, All My Sons; North Coast Repertory Theatre: Unnecessary Farce, Lend me a Tenor, Mistletoe, Music, and Mayhem, and Don’t Dress for Dinner; Moonlight at the Avo: Blithe Spirit; MOXIE: Or; New Village Arts: The Seven Year Itch, and The Heidi Chronicles; Circle Circle Dot Dot: Red Planet Respite, The Break-up Breakdown; Bang Productions: Side Man; Laterthanever Productions: He Said, She Said. Jacque is a proud member of Actors Equity and SAG-AFTRA.
*Member of AEA
He has developed new work with The Sundance Theatre Institute, The Banff Centre, American Conservatory Theater, Lincoln Center, PlayPenn, and Page 73 Productions in residence at the Yale School of Drama. His work as a director has been seen in NYC at Amas, Playwrights Horizons, Urban Stages, EST, HERE, Dixon Place, Cherry Lane, The York, The Tank, NYC Int’l Fringe, Midtown Int’l Festival, among others. Favorite credits include: SCarrie! The Musical (Bricolage Productions), Only Children (Lincoln Center), the first NYC revivals of The Falsetto Trilogy, The Most Fabulous Story Ever Told, john and jen, and Lisa Kron’s 2.5 Minute Ride (“an affecting revival” -The New Yorker, “an exhilarating ride” -The New York Sun). His production of Jennifer Haley’s Neighborhood 3: Requisition of Doom with Bricolage Production Company was cited as “breathtaking” by City Paper and in the Top Ten of 2010 by The Pittsburgh Tribune Review.
Matt is currently developing Jennifer Haley’s FROGGY. He served as The John Wells Professor of Directing at Carnegie Mellon University’s School of Drama (Graduate & Undergraduate Directing programs), and is a member of the Lincoln Center Director’s Lab. He holds a BFA in Directing from Carnegie Mellon University. www.mattmmorrow.com
Ron Logan (Set Designer) BALLAST
Ron’s previous work at Diversionary: A New Brain, Amazons and Their Men. Ron’s other theatre work: Sea of Souls, Ryes, Six, Grove, (ion theatre – workshopped original works), Geeks! The Musical! (BLKBOX), Co-scenic Designer for Bug (ion).
Elisa Benzoni (Costume Designer) BALLAST
Elisa’s previous work at Diversionary: The Mystery of Love and Sex. Elisa’s other theatre work: The Who & The What, Our Town, Brahman, Tall Girls, Sam Bendrix at the Bon Soir (La Jolla Playhouse), Much Ado About Nothing, Measure for Measure (The Old Globe), Chagall, a Man Found Wanting (Malashock Dance), The Storm, A Man, His Wife, and His Hat, The Three Penny Opera, Everything Nice (UC San Diego Theater and Dance), Dido and Aeneas (Back Collegium San Diego).
Sherrice Mojgani (Lighting Designer) BALLAST
Sherrice’s previous work at Diversionary: Bright Half Life. Sherrice’s other theatre work: Art (Intrepid), God of Carnage (New Village Arts), Outside Mullinger, My Manana Comes, The Mountaintop, Clybourne Park, Honky, (San Diego Rep), and many others with Moxie Theatre.
Blair Nelson (Sound Designer) BALLAST
Blair’s previous work at Diversionary: Now Or Later, A Civil War Christmas, Bright Half Life, A New Brain, The Divine Sister, When Last We Flew, Dooley, The New Century. Blair completed a Master of Fine Arts in Sound Design from the University of California, San Diego, Department of Theatre and Dance in 2012 and received a Bachelor of Music in Theory/Composition from Concordia College, Moorhead, Minnesota in 2007. His new music collaborations have been curated, composed, and performed at the University of California San Diego, Calit2, California State University San Marcos, Canvas Gallery San Diego, San Diego State University, SD Space 4 Art, and the Roy and Edna Disney CalArts Theater Los Angeles.
Bonnie Durben (Props Designer) BALLAST
Bonnie’s previous work at Diversionary: 2.5 Minute Ride, Well, The Mystery of Love and Sex, The Boy Who Danced On Air, Now Or Later, Baby With The Bathwater, She-Rantulas. Bonnie’s other theatre work: Next to Normal, White Christmas, Sound of Music, Lion in Winter, Spamalot, Mary Poppins, My Fair Lady, Catch Me If You Can, Tommy, South Pacific, Life Could Be A Dream (Moonlight Productions), Same Time Next Year, Plaid Tidings, One Flew Over The Cookoo’s Nest, Much Ado About Nothing (New Village Arts), The Graduate, Twelfth Night, The Match Maker, Guys And Dolls, 39 Steps (Mira Costa College), Hamlet, Much Ado About Nothing, I Hate Hamlet, Macbeth (Intrepid Theatre).
Tara Knight (Projection Designer) BALLAST
Tara’s previous work at Diversionary: Amazons and Their Men. Tara’s other theatre work: The world premiere of Hollywood and Arthur Kopit’s A Dram of Drummhicit directed by Christopher Ashley at La Jolla Playhouse, Designing and co-conceiving the Emmy Award-winning The Floating World with Malashock Dance. Knight began her career working on the animated films of Faith and Emily Hubley, including the animated sequences in Hedwig and the Angry Inch. Knight’s animated documentary series about Hatsune Miku, the singing, dancing, collaboratively-constructed hologram, have been screened at the Mori Art Museum, SXSW Interactive Festival, and on the Discovery Channel among others. She currently is an advisor for the Voyager Record 2.0 project with NASA, teaches at UCSD in the Theatre and Dance department, and is the Associate Dean for Equity, Diversity, and Inclusion for the Division of Arts and Humanities at UCSD.
Monica Perfetto (Resident Stage Manager, Stage Manager for BALLAST) is grateful to call Diversionary home as both Production Coordinator and Resident Stage Manager. Monica has a BA in Theatre Arts and Performance Studies from the University of San Diego. At Diversionary: Well, The Boy Who Danced on Air, Now or Later, In the Va Va Voom Room, A Civil War Christmas, Bright Half Life, and A New Brain. Elsewhere: RENT (Southwestern College), Annie (California Youth Conservatory), Much Ado About Nothing, I Hate Hamlet, All My Sons, Macbeth, and A Midsummer Night’s Dream the Musical (Intrepid). As Production Assistant/ Assistant Stage Manager: Ain’t Misbehavin’, The Fox on the Fairway, Side by Side, Chapter Two (North Coast Repertory Theatre), and The Two Gentleman of Verona (The Old Globe/USD MFA Program).
Photos by Daren Scott
Performances run Thursdays at 7pm, Fridays and Saturdays at 8pm, and Sundays at 2pm. More information can be obtained by calling our box office at 619-220-0097.
|Low Cost Previews||Thursday,May 4th – Friday, May 9th|
To say thank you to those that serve, Diversionary offers complimentary tickets to Active Duty, Veterans and their families. Email Cara@Diversionary.org for more information.
|Friday, May 5th at 8pm|
|Opening NightPre-and post show festivities – celebrate with the cast and company.
|Friday, May 13th at 8pm|
Theatre Professionals enjoy a special discount to our only Monday evening performance!
|Monday, May 15th at 7pm|
Join us in Fritz’s Lounge before the show to meet the Design Team, see a display of the concepts used in producing the show and hear the influences and process involved. Hosted hors d’oeuvres round out a fun pre-show experience! The party starts at 6pm before the 7pm performance.
|Thursday, May 18th at 6pm|
|Director Happy HourJoin Director Matt M. Morrow in Fritz’s Lounge for hosted hors d’oeuvres and a chance to chat before the show! Pre Show reception at 6pm, performance at 7pm.
|Thursday, May 25th at 6pm|
|Backstage Thursdays : Next Act
Next Act is your opportunity to mix and mingle with the stars of the upcoming shows in our 2017-18 season! They’ll be available to answer questions about the production, and you’ll benefit from complimentary appetizers! Join us starting at 6pm before the 7pm show.
|Thursday, June 1st at 7pm|